Color Everywhere I Look

It's been awhile since I wrote a blog post--at least on paper...well, on on the computer. But you know what I mean. I write a lot of them in my head but they don't always make it here. So I was looking at my latest photos to see which in-my-head blog post to put here and these are the things that caught my eye.  The dye class that I taught last week.

The v-shawl class that I taught last week.

Socks that Jackie made for me but it hasn't been the season to wear them.

The color wheel class that I taught at Lambtown on Sunday.

Georgia O'Keefe's Purple Petunia which is now on the loom.

But when you think you've found the most fabulous colors of yarn, fiber, and dye, you walk outside  and see this:

A sunset from last week.

I think I need to find yarn in these colors.

Weaving blankets

Here is a blanket that has become one of my favorites to weave.

In the book where I saw this draft it is called Breaks & Recesses. I think I need to come up with a different name.

I have mentioned before how much a woven piece changes after it is has been properly finished. In the case of wool that means wet-finishing or some degree of fulling. When a piece is fulled the individual threads  become less distinct as the wool fibers catch on each other and the piece becomes cloth instead of  a bunch of separate threads. (Fulling is an irreversible process that needs to be controlled--picture a wool sweater that goes through the washing machine and dryer.)

This is a dramatic example. The blanket on the right is the same draft and using the same yarn, but it has not been finished yet. This yarn is one that was mill-spun of wool from sheep at the place where I used to go for sheepdog training. The yarn feels harsh and oily, but it softens beautifully when fulled.

A custom blanket customer saw a similar blanket and wanted me to weave her a queen size blanket using this pattern. "Sure", I said. "No problem."

I use double weave to weave a queen (84 x 90) blanket on a 60" wide loom. That means that I weave two layers at a time with a fold on one side.  I have to allow for take-up and shrinkage (part of that is the fulling I described) so this blanket measured 54" wide on the loom (double--opened up that would be 108") and I planned to weave 100" in length. A lot of this is educated guessing based on previous similar projects.

This pattern is woven on 8 shafts. To weave a double width blanket I used 16 shafts, 8 for each layer. First I had to figure out that part. None of this will make sense if you are not a weaver and I didn't intend for this post to be an explanation of all the steps. One of these days maybe I'll do that, but not now.

This looks nothing like the pattern in the finished blanket. That's because in this draft every other horizontal and vertical line is the opposite layer (odd numbers are the top and even numbers are the bottom). When I buy new software it will be something that will show me the top and bottom layers.

When I finally started weaving the blanket I knew that something wasn't right, but I had a hard time figuring out exactly what it was. I used a mirror to see the lower layer but I had to go back to the book and the computer to see that I had reversed some of the squares in the draft.

Here is a close-up of the top layer as I was weaving.

This is what the computer looks like as I am weaving. I have what is called a compu-dobby and the computer drives which shafts lift, although I do all the work.

See the shuttle at the other side of the loom?

As I step on the treadle certain shafts lift so that the shuttle can carry the yarn in between the threads.

This is after the shuttle has gone from left to right and is now on the other side.

This is a view of the left side where I can separate the layers. The fold is on the right.

I finished weaving this blanket today and am working on correcting a few errors. Then I will have to crochet the edges before I full it. I should take photos of these processes and report back.

I finished 7 throws last week. Friends who saw them before washing tried to be polite but were un-impressed and maybe even shocked at how awful they looked. I used some yarn that had been spun several years ago at a mill that (I assume) uses a lot of spinning oil. The yarn on cones looks and feels like string that you would buy at the hardware store. The resulting blankets off the loom look and feel as though I wove them with string from the hardware store. Also, I wove them at a wide sett knowing that they would full.

See how open this is. You can easily stick a finger or a toe through this. And a cat would pull those threads and destroy it.

A trip through the washing machine to full (Not the way to wash a finished blanket--to do that see my instructions here)...

using Power Scour (normally for raw fleece, but this yarn was very greasy) changed that blanket into this:

Here is another before and after:

And another:

One of these blankets is a gift to the person from whom I got the wool several years ago. I'm sure she doesn't see this blog so it will be a surprise until tomorrow when I take it to her. This blanket includes her dog hair that I washed and spun:

Here is one with Jacob weft:

All 7 blankets:

Three New Weavers

I taught a weaving class last weekend. Here are the projects while on the looms:

Here are the projects off the loom and three new friends.

Using Yarn

There is a photoshoot next week for the Fibershed Marketplace and I have wanted to get some new items ready for it. I have boxes of yarn that I have intended to use and have just never got to. Now is the time. In fact, my goal is to use up all of these boxes by the end of the year.

First box--Single ply Jacob yarn spun years ago at Yolo Wool Mill.

Three scarves in a plaited twill. They feel nice, but have a few issues. They curl at the edges because this is an unbalanced twill--warp emphasis on one side and weft emphasis on the other. Besides that the center stripe turned out to be something else. It probably has some llama fiber in it--it has less elasticity than the rest so it puckers. Are these design features? It serves me right for keeping yarn for so long that I don't remember what it is.

Second box. Full of funky, slubby, heavy handspun yarn, mostly spun by my mom--that means it was many years ago. It will make wonderful throws.

Here it is going on to the loom.

I wove two blankets using the handspun as warp and the finer singles yarn from the first box for weft. Handspun yarn has such a nice feel to it--I don't think you can duplicate that with millspun yarn.

Third box--heavy 2-ply mill-spun Jacob yarn.

On the loom.

I was going to make ponchos, but I took this off the loom and decided that it was a great shawl (and if it was a shawl it was finished--no cutting and sewing). It is very soft with wonderful drape.

Three boxes started. I haven't counted how many more to go.

Weaving in Blue

I got a new loom! It wasn't from Santa. I realized that if I was going to try to sell Schacht looms I'd better have some examples here. I have the smaller looms, but not a large floor loom. So the week before Christmas my loom came. It's an 8-shaft, 46" loom and I ordered a double back beam and sectional beam. Wow! What should the first project  be? Fortunately I didn't have time to worry about the appropriate first project. I had an order to weave a chenille throw and I'd been putting it off. The deadline was Christmas.

Here is the first warp on my new loom. I think that a 46" wide chenille throw is a worthy project for the occasion.

Back view of the loom (before adding the extra beam or even the rest of the treadle tie-ups.

The piece on the left is the original throw that I was to duplicate. The loom was a joy to weave on, even with a 46" wide warp. I am thrilled and can't wait to wind the next warp.

In the meantime I had a deadline for a piece to (hopefully) be used in the next issue of Handwoven.

This was finished  yesterday and mailed today. Its a v-shawl out of yarn called Bambu Lace.

Fame and Fortune (maybe not)

My shadow weave piece is on the cover of the January/February 2012 Handwoven magazine.

This is a close-up of the shawl.

This is a close-up of another one using variegated yarn.

This is the third time I've had something on the cover of this magazine.

Weaving Wonderland

I gave a presentation called World of Wool to the Portland Weavers Guild on Thursday. There are two meetings and the morning group meets at Ruthie's Weaving Studio. This is a fabulous place. Look at the number of looms here! At Ruthie's weavers can pay a monthly fee and use the looms and all the other equipment at any time the studio is open.

This loom has 16 or 20 shafts.

This loom is set up with a long warp for overshot coverlets. There is a waiting list for the weavers who want to weave a coverlet using the warp that is already threaded and ready to go.

This is a rug loom designed by Peter Collingwood.

Being able to see this in person I finally can finally understand how shaft-switching works.

Here is a small Jacquard loom.

Look at the size of this warping reel.

Inspirational textiles abound, including this sampler using Moorman technique.

Ruthie's Weaving Studio

I stayed with a friend (who used to be part of the Sacramento Weavers Guild) not too far over the border in Washington. You catch a glimpse of Mt. St. Helens on the way to her house.  I hope to be back to Portland for more weaving related activities and some sight-seeing.

Weaving

The November show at the Artery will be the work of all of us fiber artists. I had plenty of warning about the show (many months) but, because I tend to work from deadline to deadline here is what I've been doing in the last couple of weeks. This is a stunning purple chenille v-shawl that includes a sparkly  yarn.

Close-up of the shawl.

Chenille scarves to be displayed with the shawl. You can't tell from the photos but there are sparkles here too.

 Rayon & cotton shawl.

Advancing twill blanket in organic Merino wool.

Merino wool scarves that were woven using a "name draft" that I created for Katie's wedding.

 The end of the warp that wasn't long enough for a full scarf.

I was just talking to my friend who said that this wasn't a bad accomplishment considering that I had deadlines for Handwoven magazine, my daughter's wedding and a concert in my barn all in the last month.