Catching up in the Shop

I spent the weekend demonstrating weaving at the Sacramento Weavers and Spinner Guild annual Open House. I knew that if I was going to spend two days there I needed to get something useful done. I wove two more of the scarf warps from the Box of Chenille to end the weekend with six new scarves. These are three from one warp.This is a bike that was parked outside the show. Back at the shop I have been trying to get caught up on weaving jobs. This is part of a baby blanket warp. I cut these off before I finished all of the warp because I had someone waiting for three of them.   I finally finished these cotton blankets that were on the loom a long time. Some are baby blanket size and some are larger for throws.  The next project to finish is a custom king-sized blanket woven of yarn that is a blend of llama and wool. I finished getting this on the sectional beam last night  and started threading it today. I hope that I can finish it by next week and move on to the throws for this customer.  

Fixing a Big Mistake

My largest loom is 60" wide. A queen-size blanket is supposed to be about 90" wide. When I weave a large blanket (full or queen size) I use double weave. This means that I weave two layers of cloth at the same time and they are connected on one side. When the blankets comes off the loom I open it up and it is double-width. Sometimes things don't go as planned. Here is an example: That is a big OOPS on the underside. (And that wasn't the only one on this warp of two blankets. In fact some of you might notice another error that was THROUGHOUT  the whole warp.) Both of these errors were fixable--it just takes time…and patience... …and a good audio book. Here is how I fixed the most obvious error (all those skipped warp threads). I knew that I could pull the warp threads out and needle weave them all the way back to the end of the warp (about 30" I think). I found the correct path above the error and marked it with a needle. It's not just a simple over-under. I think this pattern was under 2, over 1, under 1, over 1, under 1, over 2. I really didn't want to have to do that pattern with a needle for all of those threads. So I tied a thin thread (brown) to the warp thread (wool yarn) that needed to be rewoven and as I pulled it out the brown thread held the place.  Then I untied the brown thread from the wool yarn. Using a tapestry needle I wove the wool yarn over and under the correct yarns in the area where there was a skip.  Then I tied the brown thread back to the wool yarn and pulled it all the way through to the end of the blanket….for all those threads.  After fixing other errors the blankets were washed and they are finally in the mail. 

Here is the stack of blankets that I sent to the customer. There are 8 throws and 2 queen blankets (the ones on the bottom of the stack).

Weaving Love

It's the Artery's 40th year anniversary and we're celebrating all year. There will be an all-member Gallery Show for part of February and, when we brainstormed ideas, we decided to call the show Forty Years of Love and to incorporate hearts into the pieces.  Here are yarns that I picked up at TNNA with the idea of suing something new different for this project And here are some buttons that I have in the shop. The first piece is woven with s soft super wash wool that sparkles with some metallic fibers. This scarf is woven with Targhee wool dyed by Sincere Sheep. I'll be carrying some of these yarns in the shop soon.This shawl was woven from yarns that were dyed in such a way that they they change color from one end of the ball to the other. Combing four balls gave me this warp:Luv ya!  

Box of Chenille

It may take me years to use up the yarn in the studio part of my shop. But I'm hopeful. Here is an attempt at one box. I dumped the box of chenille on the floor and arranged the colors. I posted this photo on Facebook and then decided to have a contest. How many scarf warps could I get out of this pile of yarn?

The guesses ranged from 17 to 50 (well, there was one outlier at 502--maybe a typo). I had a good time winding these warps. For me winding warp is the creative part of weaving--at least for chenille scarves. The weave structure is almost always plain weave so all the design comes in choosing colors and arranging the order. This actually became a challenge here. I rarely weave chenille scarves in those light colors. Also, it's hard to tell in this photo but there are a lot of variegated yarns there. I like to use those, but usually as accents with solid colors. As I worked my way through this pile it became more difficult to put together pleasing combinations. Because I had set up this contest I didn't want to add in yarns off the shelf--that seemed like cheating. All of the first several warps were long enough to weave 2 or 3 scarves. As I worked my way through the pile I had less yarn in any one color so I made warps for single scarves. I finally got to this:

All those bits and pieces got me three more scarf warps.

It may not look like much but those warps will weave 44 scarves!  I wish that I had time to weave them all and then take a photo. Instead I will start weaving but will be putting some out for sale at the Artery as soon as I get them finished. 'Tis the season…to be selling chenille.

By the way, the winner of the contest lives in Placerville and will be getting a chenille scarflet in the mail!

Multiple Warp Twills-class with Sheila O'Hara

The sub-title of this workshop could be "I think my brain is about to explode". At least that is how I felt at the end of the second day after I had woven only this much: My friends consider me a prolific weaver, but this was a humbling experience. In my defense, I had a lot of distractions because the workshop was at my place. So I was looking for the right height benches, setting up lights, finding an umbrella (for the journey to the porta-potty in our first storm of the year), and I did my share of chatting with the other weavers. It has been years since I have taken a workshop and I jumped at the chance to take this one from Sheila O'Hara, whose work I have long admired. I was glad to host the workshop because it meant that I could stay home and not drive to Sacramento three days in a row. In addition, Sheila stayed here so I had the chance to get to know her a little better. On the fourth day I did go to Sacramento where Sheila presented a great program to the Sacramento Weavers and Spinners Guild.

Our pre-class instructions were to wind two warps of different colors, using multiple colors in each warp and we were given the threading draft (order to thread the loom). We had seen photos of some of Sheila's work using this method.These are Sheila's scarves. Each scarf has two completely different sides but in some the yarns from one side show through to the other. Using a 16-shaft loom you can have 4 layers of color and the compu-dobby (computer interface that I have on my big loom) can aid in keeping track of where you are in the weaving. We used 8-shaft table looms for the class because a floor loom doesn't have enough treadles to accommodate the treadling required for this.

Here are photos from the class:Thanks to my expanded space we were able to fit enough looms in the room. Gathering around a loom to talk about this sample. We wove a series of sample treadlings that showed varying amounts of each of the two warp layers and then we learned pick-up, changing sheds (opening between threads) three times in each pick (row of weaving)... ...where the lower layer showed up as a distinct design in the upper layer.Evening walks helped clear my head. This first rain of the season cleared the air and washed the dust away from everything. I welcome fall.   --   Back to weaving.  We spent some time with graph paper and colored pencils learning how to create other designs.  This task was to draw a design and, using 4 differently colored warps (horizontal in this photo), fill in the shapes using threads from the different layers. Yes, these designs could be woven on the same warp...if the brain can handle it. We looked at everyone's warps and discussed the weave structure and color interaction. Weaving paparazzi?  More of Sheila's weaving samples.She has recently woven images using photographs taken by Edward Curtis in the late 1800's to easy 1900's.   These images are woven using a Jacquard loom in which each thread is individually controlled. Sheila used to rent time on one of these looms but now has her own.   Autumn in St. Helena.

Sheila has a wonderful sense of humor and incorporates it into her presentations as well as her weavings. Make sure to look at her weavings on her website. You can contact Sheila or me to purchase them.

I am glad to say that I added to my Sheila O'Hara collection. I already had the Spring Flockettes.Now I have the Winter Flockettes as well.

Epilogue:Back home by myself I started weaving again. I think I have figured out how to do it right.

Fibershed Photoshoot

How does the Fibershed Marketplace get all those great photos? It takes a lot of work from everyone who is involved in the photoshoot but the photos are a credit to the skill of our wonderful photographer, Paige Green. I hosted the spring photoshoot and my friend, Jackie, organized everything. Here are some of my photos from the day.We arranged items that were to be photographed. These are my Jacob shawls and scarves. Jackie's hot pads and bangles.Katharine Jolda's felted jacketWe turned one of my stalls into a dressing room. Shelby is a Farm Club member who consented to be one of our models. First photos of the day were Sally Fox's sheepskins.  There is a lot going on behind the scenes to create these photos.  Alisa is Jackie's daughter and she became one of the models. Her boyfriend, Mark, was indispensable in assisting Paige with her equipment all day. This is Brooklyn, our youngest model. She wore a hooded jacket and wool socks. Meryl is being fitted by Marlie. Paige used a variety of settings during the day. In this scene Allie modes her rabbit-skin vest. Rusty was involved in the activity all day. He will write his own blog post about his involvement.  We used the sheep in the photos of my handwoven pieces. Meryl and Shelby modeled four shawls. Give us a few weeks and you'll see all of these items and more available on the Fibershed Marketplace website.

Busy Busy

Here are some of the things that have filled this week:   These are 8-9 pound triplets. The third was already up and nursing. I pulled these. This is the lamb list so far. Purple for ewes, blue for rams.  I have a lot of new things for the shop, but haven't had time to play with them or get them on the website. Electric carder, blending boards, and batt rollers (and other spinning gadgets) by Clemes and Clemes. I also have new DVD's, books, felting kits, and gadgets. I had a big weaving deadline that coincided with the first week of lambing (which also coincided with my tax appointment). This is just a preview of an item that will be in an upcoming issue of Handwoven magazine. And a new dog added to the workload. You can read Rusty's blog to learn more about Maggie. There are still more ewes to lamb. I'm on my way to the barn now for the last check tonight.

A Weaving Weekend

The Sacramento Weavers and Spinners Guild hosts an Open House in February. This year's theme was Weavers Gone Wild. Here are a few photos. One of the people in last summer's Color Wheel class created this display from the fiber that she blended in class.  Triaxial weaving. Navajo weaving. Weaving with wire. Spinning om a cardboard "wheel". Paper weaving--a great "make it and take it" project.   I demonstrated weaving all weekend. I wove 2 chenille scarves using the warp I wound at Thursday's Art as Inspiration class.After I finished the chenille I put a Shetland wool warp on the loom and wove 4 scarves for a commission.The last warp was all Jacob. I wove one and will finish the other at home. Seven scarves in a weekend isn't bad.This is a close-up of the last one just because I still have my new macro lens on the camera.

A Shopping Weekend

TNNA is The National Needlearts Association. The annual winter trade show was in Long Beach and I spent the weekend there with my friend, Irene, from Cotton Clouds and thousands of other yarn store owners, designers, and fiber lovers. This kind of a show has a different feel than the typical shows where I go as a vendor. Part of that is certainly because I'm on the fun (buying) side of the table instead of the work (selling) side. But it is also because this is where the manufacturers and producers go to sell their fiber, yarns, patterns and accessories to yarn stores and other retailers. Irene and I always look forward to this weekend because, although we collaborate on the phone and by e-mail all year its nice to be face-to-face (and share a room at the hotel). There are a classes offered and I had fun making this needle felted bird. It's good to find out how other people teach topics that you already offer.This is a crocheted coral reef in the lobby.There are autograph sessions for authors with new books. Mom wrote this book, but it features Ava (aka Annie), who knitted the scarf, and also signed every book.

Isn't she adorable? Reminds me of Katie.

For the most part photography is not allowed on the show floor, but usually vendors don't mind if you are going to buy their things. Here is a glimpse of some of what UPS will be delivering soon.

Are you as excited as I am? Make sure you sign up for my e-newsletter so you will know when these new items (and more) arrive!

A Few of the Week's Accomplishments in the Shop

 Baby blankets still on the loom. Baby blankets off the loom and finished. I put on a 21 yard warp and wove 14 blankets.  I hemmed some this time instead of leaving short fringe. I'll be interested in seeing what buyers like best. The rest are shown on this page. I taught several classes this week. This is WWW (Weekly Weaving Workshop), sometimes known as Wednesday Weavers Workshop, or Warped Women Weaving, or....It could go on. It is a drop-in class and we usually discuss any questions that people bring up about anything weaving and yarn related. (Some people come for a therapy session with friends.) Last week I said that I'd teach how to read weaving drafts. Those are the "recipes" for weaving patterns. This week we'll look at drafts for "color and weave" effects.On Friday I taught a rigid heddle weaving class. This is Tanda with her beautiful new scarf woven of Jaggerspun Zephyr yarn on her rigid heddle loom.

On Saturday and Sunday I taught a spinning class. I can't believe I didn't take photos. That was followed by an interview about Fibershed for a well-known (in the fiber world) magazine. You'll hear more about that when it's published.

When I'm working in the shop or at the computer all day, instead of in the barn, I try to make sure I go for a walk or a bike ride with Rusty. That's good for both of us. I'd probably get more exercise if I didn't take my camera because I always get distracted by the view... ...whether it's close-up or......in the distance.